The Day After The Sabbath 124: Dimmar Nætur [Iceland special]

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TDATS 124: Dimmar Nætur [Iceland] by Rich Aftersabbath on Mixcloud

Welcome to the sixth Nordic TDATS, after Denmark (Vol72), Sweden (Vol75), Norway (Vol81), Finland (Vol88) and the first one, (Vol28), which was a mix.

Some time ago I discovered the heavy names that are generally known from the Nordic island country of Iceland; Trúbrot, Thor's Hammer, Óðmenn, Andrew, Icecross and Svanfridur. It's time to look further, and considering that in the seventies Iceland had a population of only 200-225 thousand, I found a pleasing amount of good stuff. Looking at the selection, this volume reminds me most of the Austrian volume [107]. Similarly to that one, I decided to flesh it out a bit by creeping up to the year 1981, the year of Iceland's very first heavy metal album from the band "Start". It's amazing that both countries produced a similar amount of good rock, considering that Austria had a population over seven million during the same period!

As is often the case for countries that didn't have a lot of heavy rock in the seventies, and also was for Austria, Iceland's alternative music scene came alive in the punk and post-punk years. I have included a 1980 track from Þeyr's first release. They were a legendary post-punk band that were comparable to Joy Division or Killing Joke, they were also a launchpad for The Sugarcubes, where Björk made her name.

Some honourable mentions go to notable Icelandic bands Náttúra, Hinn íslenski þursaflokkur, Eik, Spilverk Þjóðanna, Paradís, Mannakorn, Change, Stuðmenn, Þokkabót, Mezzoforte and Axel Einarsson's post-Icecross solo album. These range in styles including prog, folk, rock'n roll and fusion but they are not suitable for this blog's area of interest.

The cover art for this one is a 1918 painting called "Skógarhöllin", by Icelandic artist Jóhannes Sveinsson Kjarval (wiki).

Tracks

01. Trúbrot - Am I Really Livin? (1971)

       from album '....Lifun'

02. Thor's Hammer - I Don't Care (1966)

       from EP 'Umbarumbamba'

03. Óðmenn - Betri Heimur (1970)

       from album 'Óðmenn'

04. Andrew - Rockin an Rollin (1973)

       from album 'Woops'

05. Jónas Og Einar - Gypsy Queen (1972)

       from album 'Gypsy Queen'

06. Mánar - Söngur Satans (1971)

       from album 'Mánar'

07. Pelican - Á Sprengisandi (1974)

       from album 'Uppteknir'

08. Icecross - Jesus Freaks (1973)

       from album 'Icecross'

09. Jóhann G. Jóhannsson - Sentimental Blues (1974)

       from album 'Langspil'

10. Svanfridur - My Dummy (1972)

       from album 'What's Hidden There?'

11. Trúbrot - I Know You'll Come (1969)

       from album 'Trúbrot'

12. Þeyr - 555 (1980)

       from album 'Þagað Í Hel'

13. Start - Hjonalif (1981)

       from album '...En Hún Snýst nú Samt'

The Bands

Courtesy of Shadoks music (link) :- In 1969 Trúbrot was the first supergroup ever founded in Iceland. After the début album with vocalist Shady Owens, "....Lifun" is the second album released in 1970 without Shady on vocals. After a last concert in Iceland with the original line up they invited Led Zeppelin and became friends with Jimmy Page and Robert Plant. When Jimmy and Robert returned to their hotel at four o’clock in the morning they were amazed to discover that the sun was still shining bright. The sight of the midnight sun, the snow capped glaciers and the Icelandic geysers apparently inspired them to write The Immigrant Song for the third Led Zeppelin album.

Trúbrot was very much influenced by the electric music of Crosby, Stills, Nash and Young and Led Zeppelin. They went to London to have Orange amplifiers custom-made for the band and to Copenhagen to record debut LP "Undir áhrifum" at the Wifoss Studio. The album became the best album of 1970. Really amazing male English vocals, great arrangements, guitars, organ. Psychedelic/Progressive Rock of the best kind, strongly influenced by the British underground. Tony Branwell of Apple Records said they were one of the two best bands he had seen perform on stage in the preceding six months.

Thor's Hammer, or Hljómar, was an Icelandic rock band primarily active in the 1960s. Outside of Iceland, they are known among music collectors for their rare releases on Parlophone, sung in English and recorded in London for export. The most famous of these is the 1966 EP Umbarumbamba, regarded as one of the rarest released records in the world and known to fetch prices into the thousands when a copy surfaces. 

Formed in Keflavik in 1963 under the name Hljómar (literally "Chords"), they soon became popular in Iceland at a time when local rock music was a rarity. By the mid-1960s they were recording in London on Parlophone Records for the international market. This record was recorded as a tie-in with a movie starring the band also entitled Umbarumbamba, but the film was not a success. From these sessions also came the singles "Once" and "If You Knew". The band even attempted a single entitled "Stay" in the United States on Columbia Records, which was produced by John Simon, known for his work with The Band and Big Brother and the Holding Company's album Cheap Thrills with Janis Joplin.

Odmenn (Óðmenn)

Courtesy of Shadoks music (link) :- A selftitled album was the only one that Icelandic progressive rock trio Odmenn ever released. It was made at a critical point in Odmenn's history when the band members had agreed to take a sabbatical year while the guitarist studied law at the University of Iceland. They got together for the last time a year after the album was released and split up directly after having played only one gig. Odmenn was formed in early 1966 by the Johannsson brothers playing the most popular music clubs in Reykjavik. Most of Odmenn’s music could be categorised as protest songs or social studies, touching topics like anti-war protest and fights against pollution, greed and deception balanced with more positive stances like hope for a better world with love and eternal brotherhood. "Psychedelic guitar pieces had become their trademark". Odmenn recorded this double album in Copenhagen with a release late December 1970. Odmenn made a great impression with their blooming mixture of energetic blues rock and was probably one of the best progressive rock bands in Northern Europe. 15 great songs released as a double album.

Andrew - "Woops" LP
back cover

The "Woops" LP is the scarce original 1973 first and only release by Andrew, a band formed by Júlíus Agnarsson and Andri Örn Clausen, playing heavy experimental psychedelic, progressive and artistic rock. Ómar Óskarsson (bass, vocals) and Ásgeir Óskarsson (drums, vocals) were previously in Icecross. The record is listed in the Hans Pokora '1001 Record Collector Dreams' book as a 4 star "True Rarity". The album was recorded at Incognito and re-mixed at Morgan & Soundtek Studios. It was published by Najö Productions. The members of the band, alongside Júlíus and Andri are among others guitarist Björgvin Gíslason (from Náttúra and Pelican),  drummer Ásgeir Óskarsson (from Pelican and Icecross) and Egill Ólafsson (from Thursaflokkurinn and Spilverk Þjóðanna) on piano and vocals.

Jónas og Einar

Courtesy of icelandicmusic.com (link) :- Singer and flute player Jónas R. Jónasson and singer and guitar player Einar Vilberg Hjartarson had a short but very remarkable collaboration. Einar Vilberg became known as an extremely promising song writer and troubadour in 1970 and he had released a very promising EP with Pétur Kristjánsson and drummer Gunnar Jökull Hákonarson. Jónas and Einar got together in 1970 when Jónas left the band Náttúra. They rehearsed together for a while and got used to each others’ groove.

The music they played was acoustic with a hippy feel to it and they sang in English, because they wanted to appeal to a broader market than Iceland. They were consequently invited to play at an international pop festival in Budokan, Japan.  They also released an album that was recorded partly in Sweden and partly in Iceland. The album sold well and received a lot of attention. After a few years collaboration the duet split up, Jónas turned to producing but Einar Vilberg commenced a solo career.  

Mánar

Courtesy of icelandicmusic.com (link) :- The band Mánar was formed in Selfoss in 1967 by guitar players and singers Ólafur Þórðarson and Guðmundur Benediktsson who had played together in the trio Bimbó since they were 13 years old, drummer Ólafur Bachmann and bass player Stefán Ásgrímsson. Stefán soon left the band and was replaced by Björn Gíslason. In the summer of 1967, Arnór Þórhallsson sang with the band and bass player Smári Kristjánsson also played with them. Soon after that Guðmundur Benediktsson left and was replaced by organ player Björn Þórarinsson. Mánar recorded three songs in 1970 and two of them were released on a single the same year.

Mánar

After the album was released Ólafur Bachmann left the band and was replaced by Ragnar Sigurjónsson. That line up recorded two songs that were released on another single in 1970. Singer Mary McDowell sang with Mánar that summer. The band then wrote some songs for an LP. They got Gunnar Þórðarsson to assist them in the last rehearsals before they went on a trip to Denmark in November 1971 to record the album. In 1974, Mánar recorded two songs that were released on a compilation album and in 1975 the band split up.

Courtesy of Grapevine.is (link) :- After a band called Pops, Pelican vocalist Pétur Kristjánsson did stints with Náttúra and Svanfríður. After Svanfríður died off in 1973, Pétur formed his most famous rock band, Pelican. Right from the beginning Pelican was a popular band and had a sweet sailing at the Icelandic ball scene. In 1974 the band went to Massachusetts, USA, to record an LP at the Shaggy Dog Studio, where the reformed band Hljómar had already recorded its ill-fated country rock opus Hljómar 1974. In America, Pelican got in contact with various biz-people, and for awhile it looked like Pelican would sign a record deal and hit the big time.

In 1974, Pelican was the biggest band in Iceland. The first song from the debut album, “Jenny Darling”, was released on a single in the summer, a frisky number that went on to become Pétur’s signature song. The song was the hit of the summer and when the album “Uppteknir” (a word-play, that can mean both “Unpacked” and “Busy”—the album cover featured the band inside a sardine tin), came out in the fall. It became the best selling Icelandic album yet, shifting 11,000 units.

I have used an instrumental track from Pelican's second album. "Á Sprengisandi" is an Icelandic folk song written by Grímur Thomsen (1820-1896). You can read more about it here.

Icecross was formed in Copenhagen by a bunch of like-minded Icelandic hippies. In 1973 they made and self-released one of the most talked-about albums in the realms of obscure heavy rock. It is especially known for its doomy sounds and it's as fresh today as it was when it was recorded. "Jesus Freaks" is a Paean to self-empowerment and the band makes no bones about it's attitude to religion in it's Christian-bating lyrics. Icecross members were all deeply involved with other bands, including many of those appearing in this comp, this album leaves a great legacy and you can read more at www.icecross.net.

Jóhann G. Jóhannsson
Langspil LP

Track nine is a diversion into blues from an artist who did not otherwise make heavy music, it's a great song that fits nicely into this set, from a singer-song writer. Johann G. Johannsson was born in 1947 in Keflavik, Iceland. He is one of the most productive of Iceland´s songwriters. He is the author of hundreds of songs, of which more than two hundred have been recorded by various artists. He has composed music in many genres such as rock, pop, R&B and progressive rock. He stared a career as a musician back in 1966 as a singer and bassist.

Svanfrídur

Courtesy of Shadoks music (link) :- The Icelandic prog-rock band Svanfrídur released only one album, recorded six months after they played their first gig. This short-lived band rapidly rose to fame, receiving rave reviews for live performances, but in fact their music was way ahead of its time. They were unable to seal a recording contract so they formed their own label - Swan Records. When the album 'What’s Hidden There?' was released in autumn 1972 it got mixed reviews and sold only a few hundred copies, leaving the band with a great album but sadly not the income they had been hoping for. Recorded at London’s Majestic Studios the album was cut and pressed in England. Perhaps one of the best heavy prog / underground albums from Scandinavia with amazing guitar and all-English vocals. Would have been a famous and successful album on Decca UK.

Þeyr

Courtesy of Wikipedia (link) :- Þeyr was a renowned Icelandic new wave band from the early 1980s. Shrouded under a veil of mystery, their three-year existence was characterized by a deep interest in ancient wisdom. Þeyr helped bring about the new wave movement in Iceland and became one of the first Icelandic bands to be known abroad.

The origins of Þeyr date back to the late 1970s when singer Magnús Guðmundsson, bassist Hilmar Örn Agnarsson and Hilmar Örn Hilmarsson (drums and synthesizer) were playing in a garage band called Fellibylur (Hurricane). The band was expanded with vocalist Elín Reynisdóttir, who at the time was singing at a church choir, guitarist Jóhannes Helgason from a rock band called Piccolo, and drummer Sigtryggur Baldursson from Hattimas.

They called themselves Frostrósir (Frostroses) and played rock music and some Icelandic songs at dancehalls in Reykjavík and its surroundings. After a while they decided to change the band’s name and came up with Þeyr, which was drawn from a poem by Skuggi and it means Wind or Thaw in old Icelandic. Þeyr is exactly pronounced as þeir, which means they (male gender). They had a lot of association with English band Killing Joke, at one time Killing Joke front man Jaz Coleman moved to Iceland to collaborate. After Þeyr ended, drummer Sigtryggur Baldursson started The Sugarcubes, who had international fame.

"… En Hún Snýst Nú Samt was Start's only album, released in 1981 and includes their local Icelandic hit “Sekur” (youtube). Singer Eiríkur Hauksson later went on to front the Norwegian hair metal band Artch. While it is regarded by some as Iceland's first heavy metal album, it is more "hard rock/pop with a metal image" to my ears, but it does have some elements of commercial metal of the times, along with the associated slick production approach, on a par with anything else from around the world. With it's boogie-rock basis, the track "Hjonalif" I used here demonstrates the best of the band along with “Sekur”.

Takk og góða nótt!
Rich

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